Charlie Beale

This is the website of Dr Charles W. Beale, international choral director, jazz musician, clinician and speaker.

 

New York City Gay Men’s Chorus is a world-class, world-renowned New York institution and a pioneering voice for the LGBTQ community.

I am lucky enough to have been their conductor since 2007. I am also Artistic Director of Big Apple Performing Arts, the organization that oversees them, along with our sister ensemble, Youth Pride Chorus.

NYCGMC is comprised of more than 260 talented singers of various ages, backgrounds, and experiences. Together, we produce a vibrant sound and energy that audiences can feel and connect with. Through the power of this sound, and our spectacular performances, we are fearless champions for love, equality, and acceptance. Our reputation grows year on year. As you can see from the pictures below, we sing in a very wide variety of settings, and always seem to succeed in raising the roof!

New York CIty Gay Men's Chorus, GALA Festival Opening Ceremony, July 2016 - we always sing with energy!

New York CIty Gay Men's Chorus, GALA Festival Opening Ceremony, July 2016 - we always sing with energy!

‘I was amazed at where this production took me emotionally and I can only imagine where it took our audience members ... Nothing feels better that to see you smile and shake your head “yes” after a song ...’ (Ryan Hartman, new member, NYCGMC)
New York CIty Gay Men's Chorus with the New York Philharmonic Orchestra, Avery Fisher Hall, December 2015

New York CIty Gay Men's Chorus with the New York Philharmonic Orchestra, Avery Fisher Hall, December 2015

New York CIty Gay Men's Chorus, Big Gay Sing 7 March 2014. It's hard to hate soneone you just sang a song with!

New York CIty Gay Men's Chorus, Big Gay Sing 7 March 2014. It's hard to hate soneone you just sang a song with!

My job takes me to all kinds of contexts and places, to conduct, teach and speak. Here are some more images of me working for Big Apple Performing Arts in various capacities:

  • at AIDS WALK conducting outside, which is alway beautiful;
  • conducting the chorus at the 100th Anniverary of the Drama League of New York;
  • with a few of our crazy Youth Pride Chorus Alumni;
  • interviewing Marth Wash on stage about singing 'Its Raining Men' in New York clubs in the '70s;
  • playing cabaret piano in rehearsal for Carolee Carmello, another of our Broadway guest stars;
  • conducting a small but enthusiastic group at our annual September Singathon in Jackson Square Park in New York City.

As Artistic Director, I conduct the main chorus in three main shows a year. These include a Holiday show in December, a 'Big Gay Sing' singalong show in March and a June show that raises awareness of LGBTQ issues. In recent years, these more compelling shows have covered crystal meth addiction, living with HIV, and the joys and sorrows of growing up and living life as an LGBTQ US citizen. In June 2014, we also hosted all of New York City's LGBTQ choruses at a choral celebration at the Cathedral of St John the Divine.

Since 2007, NYCGMC has worked under my direction with artists of many styles. Our pop music work allows us to reach the widest audience. Most recently, this has included a 2014 Pride appearance singing 'Chandelier' with Sia and a 2013 dance music show featuring soul diva Martha Wash. We also have an on-going relationship with transgender singer-songwriter Our Lady J. and Idol runner-up Frenchie Davis.

In New York, musical theater is an important way to connect with local audiences and other gay men. NYCGMC regularly works with many of Broadway's top vocal talents, including Carolee Carmello (Scandalous, Parade), Kelli O’Hara (South Pacific), Victoria Clarke (A Light in the Piazza), Chris Seiber (La Cage aux Folles, Spamalot), Fredi Walker-Browne (Rent) and Ann Harada (Avenue Q). NYCGMC prides itself on its stylistic diversity, and has also worked with gospel and soul singers Lillias White,  Frenchie Davis and Michael McElroy (Broadway Inspirational Voices).

We are also proud of our Connect program, a series of smaller projects which aims to engage with all corners of New York City. In recent years, two of NYCGMC's most exciting Connect program activities have been our 'SAGE Singalongs', singalongs at centers for older LGBTQ citizens, and our pioneering work with Diaspora Community Services. Here, we do what I call 'singing interventions' with women of color in Church Avenue, Brooklyn, where we combine singing with small group discussion of feelings and issues around living with HIV. We sing with them, they sing with us, and we all learn about HIV together. NYCGMC small groups also regularly sing at gay weddings in the city and at political events, including the 2012 Annual State of the Borough Address by Scott Stringer, Borough President of Manhattan.

GALA, VARIOUS VOICES AND THE WIDER CHORAL MOVEMENT

I have also worked extensively over the years within the wider world of the gay choral movement, and in particular GALA (The Association of Gay and Lesbian Choruses) in the US and Various Voices in Europe, including:                                  

  • a clinic on directing swing and jazz (GALA retreat, Montreal, January 2004)
  • a vocal workshop to over 100 GALA chorus members (Montreal festival, July 2004)         
  • directing a combined UK/US chorus of 300 (consisting of LGMC members and members of the Gay Men’s Chorus of Washington and Heartlands Men’s Chorus) in ‘Come What May’, one of his own arrangements which closed the GMCW show (July 2004)       
  • Artistic Director of the London Euro-pride Festival Concert at the Queen Elizabeth Hall (June 2006)
  • a first NYCGMC program at GALA festival includes Handel’s Zadok the Priest, Strayhorn and Ellington’s ‘Take the A train’, and a set by singer/songwriter Rufus Wainwright (July 2008)
  • Co-Artistic Director of the largest ever 3000 singer Various Voices Festival at the South Bank Center (May 2009)
  • A simulation/workshop for Artistic Directors entitled 'Programming concerts in Challenging times' (September 2010)
  • An all-GALA 'Big Gay Sing' to an audience of 5000 singers, involving choruses from across America (July 2012)
  • An interactive workshop for Artistic Directors entitled: 'Mission-based Programming' (October 2013)
New York CIty Gay Men's Chorus, GALA Festival main performance July 2016

New York CIty Gay Men's Chorus, GALA Festival main performance July 2016

 

LONDON GAY MEN’S CHORUS 2002-2007

The London Gay Men's Chorus in December 2006 at the Barbican Hall.

The London Gay Men's Chorus in December 2006 at the Barbican Hall.

i was also Musical Director and conductor of the London Gay Men’s Chorus from 2002-2007. Under my leadership, the chorus grew from 120 to around 220 members. LGMC became the largest gay choir in Europe, on a par with the larger US LGBT choruses, increasing in size, musical excellence, fundraising need and both community and outreach ambition. They also performed to sell-out audiences in the top international venues in London every year, including the Queen Elizabeth Hall (2002, 2003, 2004, 2006) and Barbican Hall (2004, 2005, 2006). 

LGMC at the Sydney Opera House 2002

LGMC at the Sydney Opera House 2002

LGMC regularly worked internationally too - Sydney Opera House (2002), Kennedy Centre (2004), and Settembre Musica, Turin (2006). They were increasingly booked by the UK’s top promoters (Raymond Gubbay, Gordon Poole) and developed a deserved reputation for artistic innovation, vocal excellence and commercial success not only in the gay community but also in the highly competitive artistic community of London.